Small Mercies - Innocent

There’s energy around Small Mercies that is hard to put your finger on. One thing is certain; the band are on the cusp of something big.

Small Mercies are a classic rock band for the modern era. Their songs bristle with a mood of instant familiarity. Break the band into sonic parts and you’ll hear chiming choruses, shimmering guitars and an explosive bottom end; all of which are fronted by a young voice fit to fill arenas, stadiums and the airwaves.

Hailing from Brisbane, the four-piece are poised to release their debut album, Beautiful Hum. No less a tastemaker than Billboard magazine are touting the band’s hometown as one of the globe’s happening musical hotspots. It’s the city where Savage Garden, The Saints and Powderfinger made their mark before achieving national and international recognition. Small Mercies may well swell those ranks.

Small Mercies’ vocalist Steve Blaik, guitarist Danny Procopis and drummer Marty O’Brien all met at high school. Steve and Danny form the band’s song writing hub while Marty, along with bassist Jeff Reeves, complete the group and provide a rock solid rhythm section.

Produced by Matt Wallace (Faith No More/Maroon 5), Beautiful Hum has ‘international smash’ written all over it.

Wallace discovered the band through MySpace. Impressed by what he heard, the producer set about making contact.

“We sent out some demos when we were looking for a producer,” begins Steve. “Believe it or not, Matt Wallace was at the top of our list. He got back to us via MySpace saying ‘Hey guys, love this stuff … are you still looking for a producer?’ “That was the first thing we heard and it blew our minds. It was like a dream come true … getting a MySpace message from Matt Wallace!”

“I grew up listening to Faith No More and he did most of their stuff, which is amazing. He also did Maroon 5 and Train.”

The band recorded with Wallace in Los Angeles and the San Fernando Valley for eight weeks at various studios, including The Pass and Sound City Studios. The results are nothing short of stunning. Tim Palmer (Pearl Jam/U2) applied the finishing touches to the album with top-notch mixes.

“Tim mixed Pearl Jam’s Ten, which for us,” exults Danny, “is one of our favourite records. We’d come in at the end of the day and hear what he’d done and be blown away.”

Small Mercies have quite a team behind them. Early demos from the band caught the attention of music industry veteran John Woodruff (Savage Garden/Evermore) who quickly signed the band to his JWM production company. Modern Music label and studio owner David Leonard came on board as co-label and management some time after. After recording a batch of new demos at Modern Music Studios they attracted the likes of Sony BMG and producer Matt Wallace.

The first single from Beautiful Hum is, ‘Innocent’. It’s hard to pick favourites, but titles worth a mention include ‘Sorry’, ‘Stand On The Outside’ and ‘Almost Perfect’. 50/50 Films have shot a clip for ‘Innocent’ that should soon see the band flooding the small screen.

At the end of the day, it’s all about the songs … and Small Mercies have plenty of them. Wallace believes they had fifty tracks he could have chosen for their debut platter.

“It was after I received my second batch of about 20 songs that I realized that this band was well prepared to make a record,” explains Wallace. “They had almost 50 songs to choose from and not a clunker in the bunch. They certainly had enough material for a double album (no joke), which put us in a great position to have many excellent songs to choose from. Suffice to say, this record is actually more like a "Best Of" album due to the strength of their material.”

Ask Steve what his favourite albums are and he’ll rattle off, among others, Counting Crow’s August And Everything After, Live’s Throwing Copper and U2’s The Joshua Tree. The lyricist loves great storytellers.

“I also love bands like Pearl Jam,” he admits, “the way they structure their songs into anthemic uplifting rock songs. So, I guess when people listen to Beautiful Hum, they’ll find their own influences; but they’re key things for us when we write our songs.”

Uplifting anthemic rock songs … it’s quite a brief, but that’s what Small Mercies are all about. With Beautiful Hum, the band has created one of the great Australian debuts.

Pink - Who Knew

Although she was initially viewed as yet another face in the late-'90s crowd of teen pop acts, Pink quickly showed signs of becoming one of the rare artists to transcend and outgrow the label. Born Alecia Moore on September 8, 1979, in Doylestown, PA (near Philadelphia), Pink received her nickname as a child (it had nothing to do with her later shade of hair dye). She grew up in a musical family and by age 13 was a regular on the Philadelphia club scene, first as a dancer, then as a backing vocalist for the local hip-hop group Schools of Thought. At 14, she began writing her own songs; the same year, a local DJ at Club Fever began allowing her on-stage to sing a song every Friday.

Pink was spotted one night by an executive for MCA, who asked her to audition for an R&B group called Basic Instinct; although she got the gig, the group imploded not long after. She was quickly recruited for a female R&B trio called Choice, which signed to L.A. Reid and Babyface's LaFace label on the strength of their demo; however, they too disbanded due to differences over musical direction. During Choice's brief studio time, producer Daryl Simmons asked Pink to write a bridge section for the song "Just to Be Loving You"; impressed with the results, Pink rediscovered her songwriting muse and an equally impressed L.A. Reid soon gave her a solo deal with LaFace.

Pink recorded her solo debut, Can't Take Me Home, with a variety of songwriting partners and dance-pop and R&B producers. Released in 2000, the album was a double-platinum hit; it spun off three Top Ten singles in "There U Go," "Most Girls," and "You Make Me Sick." She toured that summer as the opening act for *N Sync, but soon found herself tired of being pigeonholed as strictly a teen act despite her sassy, forthright persona. As she set about working on her follow-up album, Pink took part in the remake of Patti LaBelle's "Lady Marmalade" featured on the Moulin Rouge soundtrack, which also featured powerhouse divas Christina Aguilera, Mya, and Lil' Kim. The song was a massive hit, topping the charts in both the U.S. and U.K.

Toward the end of the year, Pink released her next single, "Get the Party Started"; it became her biggest, most inescapable hit to date, climbing into the Top Five. Her accompanying sophomore album, M!ssundaztood, quickly went double platinum; it boasted a more personal voice and a more eclectic sound, plus heavy contributions from ex-4 Non Blondes singer Linda Perry, who helped bring some more rock muscle to Pink's sound (as did guest appearances by Steven Tyler and Richie Sambora). M!ssundaztood attracted positive critical notices as well, and its second single, "Don't Let Me Get Me," became another fast-rising Top Ten hit.

Pink next issued Try This in November 2003. The album was a bit more rock-oriented, due in part to the songwriting collaboration of Rancid frontman Tim Armstrong on eight of the album's tracks. Try This' lead single, "Trouble," cracked into the upper regions of Billboard's Top 40, and earned Pink a Grammy for Best Female Rock Vocal Performance. On the home front, Pink wed motocross racer Carey Hart -- whom she had initially met at 2001's X-Games -- on January 7, 2006, in Costa Rica. Her next album, I'm Not Dead, appeared that April; its first single, "Stupid Girls," quickly became a hit, and the album reached the Top Ten.

Linkin Park - What I've done

Transformers - The Movie

Plot summary,
A long time ago, far away on the planet of Cybertron, a war was being waged between the noble Autobots (led by the wise Optimus Prime) and the devious Decepticons (commanded by the dreaded Megatron) for control over the Allspark, a mystical talisman that would grant unlimited power to whoever possessed it. The Autobots managed to smuggle the Allspark off the planet, but Megatron blasted off in search of it. He eventually tracked it to the planet of Earth (circa 1850), but his reckless desire for power sent him right into the Arctic Ocean, and the sheer cold forced him into a paralyzed state. His body was later found by Captain Archibald Witwicky, and before going into a comatose state Megatron used the last of his energy to engrave a map, showing the location of the Allspark, into the Captain's glasses, and send a transmission to Cybertron. He is then carted away by the Captain's ship. A century later, Sam Witwicky, nicknamed Spike by his friends, buys his first car. To his shock, he discovers it to be Bumblebee, an Autobot in disguise who is to protect Spike, as he bears the Captain's glasses and the map carved on them. But Bumblebee is not the only Transformer to have arrived on Earth - in the desert of Qatar, the Decepticons Blackout and Scorponok attack a U.S. military base, causing the Pentagon to send their special Sector Seven agents to capture all "specimens of this alien race," and Spike and his girlfriend Mikaela find themselves in the middle of a grand battle between the Autobots and the Decepticons, stretching from Hoover Dam all the way to Los Angeles. Meanwhile, within the depths of the Pentagon, the cryogenically stored form of Megatron awakens...

Linkin Park

Old-school hip-hop, traditional classic rock, and spooling electronic vibes were the initial factors behind the building of the alternative metal quintet Linkin Park. The band's Southern Californian musical roots were also an underlying basis, for drummer Rob Bourdon, guitarist Brad Delson, and MC/vocalist Mike Shinoda formed a tight friendship while still in high school. Shortly after graduation, art student and DJ Joseph Hahn hooked up with bassist Dave "Phoenix" Farrell and Shinoda for the band Xero. Hybrid Theory came later, but the band opted on the name Linkin Park when singer Chester Bennington was the last piece added to the band in 1999. Soon the band became a noticeable face at the Whisky as well as favorites in and around Los Angeles. Zomba Music's Jeff Blue was one of the few who didn't turn the band down for a contract at the turn of the millennium -- Linkin Park signed to Warner Bros. after being turned down three times in late 1999 and got to work on their debut album. Taking a piece from their past, they named the album Hybrid Theory. It was released in fall 2000 and it showcased their likes for fellow alternative acts such as the Deftones, the Roots, Aphex Twin, and Nine Inch Nails. The Dust Brothers also collaborated on the record, as well as producer Don Gilmore (Pearl Jam, Eve 6, Tracy Bonham). Singles such as "Crawling" and "One Step Closer" were massive radio hits and video favorites among the TRL crowd on MTV. Joint tours with Family Values and the Project: Revolution Tour with Cypress Hill led the band to play 324 shows in 2001. Linkin Park was in demand. Come January 2002, Hybrid Theory received three Grammy nominations, for Best Rock Album and Best New Artist. A month later, Linkin Park walked away with an award for Best Hard Rock Performance for "Crawling." They spent the remainder of the year holed up in the studio, again working with Gilmore, recording a follow-up to their eight-times-platinum debut Hybrid Theory.

Linkin Park's sophomore effort, Meteora, was released in March 2003; the first single, "Somewhere I Belong," was an instant hit. The second annual Projekt Revolution tour got underway in spring 2003 with Linkin Park joining Mudvayne, Xzibit, and Blindside; Summer Sanitarium dates with Metallica, Limp Bizkit, Mudvayne, and the Deftones followed in July and August. Results of the latter appeared by the end of the year on Live in Texas. In late 2004, Linkin Park embarked on their most ambitious project yet: Collision Course, a collaboration with king-of-the-mountain rapper Jay-Z, which introduced the commercial world to the concept of mash-ups (remixes that sample heavily from at least two popular songs). Jay-Z also encouraged co-founder Mike Shinoda to explore the possibilities of a solo hip-hop project. He did, dubbed the project Fort Minor, and released the album The Rising Tied in 2005 with Jay-Z as executive producer. The group came back together in 2006 and began work on their next album. With Shinoda and Rick Rubin (Run-D.M.C., Red Hot Chili Peppers, Johnny Cash) sharing the production credit, Minutes to Midnight arrived in 2007.

My Chemical Romance - Welcome To My Black Parade

Based in New Jersey, My Chemical Romance is an alternative pop/rock and punk-pop band that has been compared to Thursday and, to a lesser degree, Cursive. Their name was inspired by author Irvine Welsh (of Trainspotting fame), and while many of their songs are loud, fast, hyper, and aggressive, My Chemical Romance's work also tends to be melodic and pop-minded. My Chemical Romance got started in the early 2000s, when lead singer Gerard Way and drummer Matt Pelissier decided to try writing some songs together. The first tune that Way and Pelissier -- who had been friends since high school -- came up with was called "Skylines and Turnstiles" (a post-9/11 song written after Way witnessed the Twin Towers fall while working at his animation job in New York City). Way and Pelissier both felt good about the song, and Way asked guitarist Ray Toro if he would be interested in working with them. My Chemical Romance's five-man lineup was complete when Way, Pelissier, and Toro joined forces with bassist Mikey Way (Gerard's little brother) and guitarist Frank Iero. With that lineup in place, the band started playing all around the Northeast Corridor and made plans to begin working on their first album.

In 2002, Eyeball Records (the New York-based indie for which Thursday had recorded) released My Chemical Romance's debut album, I Brought You My Bullets, You Brought Me Your Love. The album was often compared to Thursday -- a comparison that, for various reasons, was inevitable and unavoidable. Both bands were from New Jersey, both had recorded for Eyeball, and both combined punk-pop's musical aggression with introspective, confessional lyrics. Plus, I Brought You My Bullets, You Brought Me Your Love was produced by Thursday vocalist Geoff Rickly. But Thursday isn't their only influence; reviewers have cited the Smiths, Morrissey, the Cure, and the Misfits as influences, while the older Way has even cited British heavy metal icons Iron Maiden.

Lyrically, I Brought You My Bullets, You Brought Me Your Love is as dark as it is introspective and cathartic; Way has been quoted as saying that the band's lyrics were a great way for him to deal with the problems he had been going through (which included severe depression, drug/alcohol abuse, and a serious illness in his family). The 2002 release included Way and Pelissier's first song, "Skylines and Turnstiles," and many of the album's other song titles were equally intriguing, including "Honey, This Mirror Isn't Big Enough for the Two of Us" and "Vampires Will Never Hurt You." In 2003, My Chemical Romance signed with Reprise/Warner Bros. and released the aggressively slick Three Cheers for Sweet Revenge one year later. Proving to be hugely popular, the album boasted several successful singles on commercial radio and MTV, including "I'm Not Okay (I Promise)," "Helena," and "The Ghost of You," as the album climbed the Billboard charts.

Amid their growing popularity, Pelissier departed from the band in mid-2004, and he was soon replaced on drums by Bob Bryar; they'd previously met while touring with the Used, as Bryar was doing sound for the Utah act. Relentless touring continued to increase their fanatical fan following; the band headlined dates with Alkaline Trio, scored an opening slot for Green Day, and shared bills with Story of the Year, Taking Back Sunday, and the Used, among many others. As My Chemical Romance prepared to enter the studio for their third album, they issued Life on the Murder Scene in March 2006. The CD and double-DVD package extensively documented practically everything MCR, including demos, music videos, live footage, interviews, and more; it sufficiently tied fans over until My Chemical Romance (now boasting a sober and bleach-haired Gerard Way) issued the darkly conceptual and highly ambitious The Black Parade that October. Anticipation for the album could barely be contained at the release of its grandiose first single, "Welcome to the Black Parade," whose elaborate accompanying video looked and sounded like the result of Tim Burton directing Queen. The record went platinum by early 2007.