The Speaks - High

"You know the world is going crazy when the best rapper is a white guy, the best golfer is a black guy, the tallest guy in the NBA is Chinese”
- Chris Rock

A young, talented, and charismatic five-piece band from the Washington DC area, The Speaks are completely redefining the global image of rock music - shattering stereotypes, making believers out of naysayers, destroying everything in their path, and acquiring legions of new fans every single step along the way. From winning every major music competition they’ve entered, to rocking crowds of 25,000+ people, to gaining major support from DC101 (one of the most influential radio stations in the country) -- The Speaks are easily shaping up to be one of the most exciting, talked about rock bands to hit the music scene in years.

If you had to try and characterize these “rockstars-in-training” take the explosive live stage show of Velvet Revolver, add the eternal rock/anthemic appeal of Pearl Jam, and throw in the raw & emotional lyrical intensity of the Foo Fighters for good measure. In a changing new world where music seems to be erasing any existing racial boundaries, The Speaks -- whose members are all American-born, but of Asian heritage“ are poised to further prove that music is, indeed, the one true universal language.

Much like Jimi Hendrix, Living Color, Sevendust and Hootie and the Blowfish (c’mon admit it, when you first heard their music, you thought Hootie was a white dude!) have all changed the face of rock -- and Eminem and The Beastie Boys have changed the face of rap -- The Speaks are opening people’s minds and broaden peoples’ horizons with their driving, emotion-filled music in a unique, unprecedented package. Find out why industry people and fans alike are saying they are the next stage in musical evolution!

The Speaks’ amazing live performances and infectious sound have created a loyal and dedicated following within the local, national, and international music scene with fans all across the globe, the numbers are growing fast in the tens of thousands. Over the past 6 years, they have outlasted numerous growing pains to hone their craft and establish their current line-up. This knack for hard work has paid off for the band in January 2005, The Speaks acquired an international distribution deal overseas with Warner Music (Asia), with re-release of their independently-produced album “Life’s a Joke” in April 2005. Constant radio airplay, supported by two popular musicvideos in regular rotation on MTV Asia and MYX Music Channel, have established the band as one of the breakthrough acts of this year and it’s only a matter of time before record labels, and the rest of the world, takes notice.

Nelly Furtado - All Good Things (Come To An End)

Singer/songwriter Nelly Furtado heavily credits her ethnic background and childhood for spawning her creativity as a female and as an inspiring musician. Born and raised in Victoria, British Columbia, Canada, Furtado's working-class parents, who are of Portuguese descent, instilled a hardcore work ethic during her upbringing. She spent eight summers working as a chambermaid with her housekeeping mother, quickly realizing what it meant to work for a living.

She turned to music for enjoyment, learning to play the guitar and the ukulele, and listened to mainstream R&B like Mariah Carey, TLC, Jodeci, Salt-N-Pepa, and Bell Biv DeVoe. Later, she delved into her older brother's collection of Radiohead, Pulp, Oasis, Portishead, the Verve, and U2, pushing Furtado to fully embrace different musical genres, specifically Brazilian music and material by Nusrat Fateh Ali Khan and Amalia Rodrigues. Hip-hop was also a big catalyst in shaping Furtado's musical appreciation. After high school, she headed to Toronto where she worked at an alarm company by day and experienced the music scene by night. She joined a hip-hop duo, Nelstar, and this opportunity led Furtado back to her hip-hop influences of De La Soul and Digable Planets. This allowed her to get comfortable with writing her own melodies and freestyle rhymes.

When Furtado started cutting loose at a local Toronto club during the week, her musical aspirations began to swirl. Brian West and Gerald Eaton, of Canadian funk-pop group the Philosopher Kings, were instantly impressed by her strong sense of performing and asked to produce her demo. During those sessions, Furtado created some of the moving work that landed on her debut for Dreamworks, Whoa, Nelly!, released in fall 2000. A headlining tour of the U.S. in spring 2001 sparked more interest from fans and critics, and a spot on Moby's Area:One summer tour allowed singles "I'm Like a Bird" and "Turn Off the Light" to receive bigger praise. Furtado's greatest achievement followed a year later when she earned four Grammy nods, including Song of the Year for "I'm Like a Bird."

Folklore appeared in November 2003, nearly two months after Furtado gave birth to her first child, a daughter named Nevis. The record was a general disappointment, failing to capitalize on the success of her previous work. She didn't return to limelight until summer 2006, with her third record, Loose. Produced almost entirely by Timbaland and boasting a much more appealing and timely style, the album earned significant attention, putting Furtado's career back on the fast track. Lead track "Promiscuous" became an instant hit, earning her a number one spot on the Billboard Hot 100 chart. Loose also topped the Billboard Top 200 album chart during its first week of release in later June 2006, becoming Furtado's first-ever number one album.

Avril Lavigne - Keep Holding On

Wild child Avril Lavigne hit big in summer 2002 with her spiky-fun debut song, "Complicated," shifting pop music into a different direction.

Lavigne, who was 17 at the time, didn't seem concerned with the glamour of the TRL-dominated pop world and such confidence allowed her star power to soar. The middle of three children in small-town Napanee, Ontario, Lavigne's rock ambitions were noticeable around age two.

By her early teens, she was already writing songs and playing guitar. The church choir, local festivals, and county fairs also allowed Lavigne to get her voice heard, and luckily, Arista Records main man Antonio "L.A." Reid was listening. He offered her a deal, and at 16, Lavigne's musical dreams became reality. With Reid's assistance and a new Manhattan apartment, Lavigne found herself surrounded by prime songwriters and producers, but it wasn't impressive enough for her to continue.

She had always relied on her own ideas to create a musical spark, and things weren't going as planned. Lavigne wasn't disillusioned, though. She headed for Los Angeles and Nettwerk grabbed her. Producer/songwriter Clif Magness (Celine Dion, Wilson Phillips, Sheena Easton) tweaked Lavigne's melodic, edgy sound and her debut, Let Go, was the polished product.

Singles such as "Complicated" and "Sk8er Boi" hit the Top Ten while "I'm with You" and "Losing Grip" did moderately well at radio. Butch Walker of the Marvelous 3, Our Lady Peace frontman Raine Maida, and Don Gilmore (Linkin Park, Good Charlotte) signed on to produce Lavigne's second album, Under My Skin, which appeared in May 2004. The album topped the Billboard charts and produced the number one hit "My Happy Ending. Other singles like "Nobody's Home" and "Fall to Pieces" did respectably well also.

Settling down a bit from her punk rock wild child persona, Lavigne married her boyfriend of two years, Sum 41 frontman Deryck Whibley, in July 2006.

The Fray - How To Save A Life

From the sleepy sprawl of America's Mile-High City comes The Fray, a Denver-based foursome whose melodic pop-rock songs and soaring vocals resonate with sprawling tapestries and tales of hopefulness and heartache.

Formed in 2002 by Isaac Slade (vocals, piano) and Joe King (guitar, vocals), The Fray earned a loyal grassroots following through impressive area gigs and the support of local radio which led a listen-driven campaign to get the band a record contract. With strong word-of-mouth, the band won "Best New Band" honors from Denver's Westword Magazine and garnered substantial airplay on two of Denver's top rock stations - the demo version of "Over My Head (Cable Car)" became KTCL's top 30 most played song of 2004 in just 4 months. The band signed to Epic Records in 2004 and will release their debut album "How To Save A Life" this September.

"Three years ago, I thought I wanted to start a real estate company," laughs co-founder King. A serendipitous encounter with former schoolmate Slade at a local music store begat an impromptu jam session that begat an impromptu songwriting session that begat The Fray. It wasn't your usual rock n' roll lineup - vocals, guitar and piano - but it worked. The uplifting, melody-driven songs were catchy enough to attract two former bandmates of Slade's - drummer Ben Wysocki and guitarist Dave Welsh. "Ben and I were basically a package deal at the time," explains Welsh. "Ben joined first, but I think he felt lonely without me."

It didn't hurt that the boys were all consummate musicians. A pianist from an early age, King competed in the local recital circuit before dropping piano altogether and picking up the guitar in junior high. "The coolest guys in my eighth grade class all played guitar," confides King. "I wanted to fit in." Slade began singing when he was eight, but temporary voice problems led him to discover the piano at age 11. After regaining his vocal abilities a year later, he continued studying piano and learned guitar in high school. "I wrote my first song at 16," explains Slade, "which is when I first picked up the guitar." Wysocki began taking drum lessons in the sixth grade, but only after having endured piano lessons at his parents' request. Welsh grew up in a musical household, and struggled with piano and saxophone before settling on guitar at age 12.

The lineup secure, all the band needed was a name. Jokes about the boys' tendency to battle it out over song composition led to the suggestion of "The Fray," and the name stuck. So did The Fray's style - a sophisticated, emotional blend of tinkling pianos, acoustic and electric guitars, and gently insistent rhythms that serves as an ideal backdrop for Slade's pitch-perfect, achingly beautiful vocals. The band's first single, "Over My Head (Cable Car)", echoes the poignant lyricism of Counting Crows and the melodic intensity of U2. The title track, "How To Save A Life", is a heartbreaking meditation on salvation inspired by Slade's experience as a mentor to a crack-addicted teen. Both songs employ an epic sweep, speeding up and slowing down so effortlessly that the listener can't help but become emotionally involved by the time the crescendo hits.

Considering the quality of songwriting involved, the band's rise to local prominence within the span of a year doesn't seem so implausible. In January of 2004 The Fray were no-namers trying to find gigs. By December, they were getting radio pick-up and playing sold-out shows at 500-capacity venues. With a series of U.S. tour dates supporting legendary geek rockers Weezer in July, The Fray will have the opportunity to make even more new fans by the time "How To Save A Life" drops in September 2005.